No. 2 (2017)

Ethnomusicology

• Issues of academic study and practical acquisition of Tuvan music (a case study of Tuvan instrumental music)

  Valentina Yu. Suzukey

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• What does Dakpai Maksim do when he sings sygyt? A preliminary investigation of one throat singer’s personal style

  Mark Van Tongeren

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• Nomads in the Global Soundscape: Negotiating Aesthetics in Post-Soviet Tuva’s Traditional Music Productions

  Robert O. Beahrs

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• From the sound of throat singing to the sounds of shamanic practice: Structural organisation of shamanic rituals in Tuva

  Malgorzata Stelmaszyk

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• Tuvan music and World Music

  Maxim V. Chaposhnikov

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• Tuvan music and its discography (principal names, titles, issues of description)

  Morten Abildsnes

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• “The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues)

  Leo Tadagawa

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• Social and cognitive functions of music based on the example of Tuvan throat singing

  Shen-Mou Hsu

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• Let me sing your songs: how Finns found xöömei

  Sauli Heikkilä

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• Tuvan music in schools in the United States

  Sean P. Quirk

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• The development of contemporary music culture of Tuva (a view from Japan)

  Mao Terada

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• The language of poetic texts in contemporary Tuvan pop songs

  Oyumaa M. Saaya

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• Psychological features of the professional activities of Tuvan musicians

  Anna D.-B. Sandyi

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• On the composition of modal structures of Tuvan traditional songs

  Ayasmaa D.-B. Baranmaa

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• The song folklore of Tozhu Tuvans: collection, publication, research

  Ekaterina L. Tiron

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