Tuvan literature under the Tuvan People’s Republic: The birth of the poetics of artistic modality
DOI:
https://doi.org/10.25178/nit.2020.3.11Keywords:
Tuva; Tuvan People’s Republic; Tuvan history; Tuvan literature; Tuvan language; Tuvan poetry; historical poetics; traditional poetics; poetics of artistic modality; arats’ song; slogan poem; shulukAbstract
The article analyses the history of the origin of Tuvan national literature during the period of the Tuvan People’s Republic (1921–1944). We have traced the process of transition from traditionalism (folklore consciousness) to individual author's creativity in the main categories of historical poetics, which are that of genre, author and style. The article also identifies the poetics of artistic modality as the initial stage of the literary consciousness in the context of historical time.
One of the first Tuvan literary publications “Cььndь cogaaldar” (“Selected works”) contains diversely constructed texts, such as pieces of folk songs in canonical form, collective songs of revolutionary content (arats’ songs) and works which had specific individual authors, as well as slogan poems. Tuvan literature of the 1930s still uses traditional poetics, but the poetics of artistic modality is already being actualized.
References
Averintsev, S. S., Andreev, M. L., Gasparov, M. L., Grintser, P. A. and Mikhailov, A. V. (1994) Kategorii poetiki v smene literaturnykh epokh [Categories of poetics in the change of literary eras]. In: Istoricheskaia poetika. Literaturnye epokhi i tipy khudozhestvennogo soznaniia [Historical poetics. Literary eras and types of artistic consciousness] / ed. by P. A. Grintser. Moscow, Nasledie. 512 p. Pp. 3–38. (In Russ.) (In Russ.).
Bakhtin, M. M. (1986) Literaturno-kriticheskie stat'i [Literary and critical articles]. Moscow, Khudozhestvennaia literatura. 543 p. (In Russ.).
Broitman, S. N. (2004) Teoriia literatury [Theory of literature] : textbook for students: in 2 vols. / ed. by N. D. Tamarchenko. Moscow, Izdatel'skii tsentr “Akademiia”. Vol. 2. Istoricheskaia poetika. 368 p. (In Russ.).
Dobrenko, E. A. (2007) Sotsialisticheskii realizm i real'nyi sotsializm (sovetskaia estetika i kritika i proizvodstvo real'nosti) [Socialist realism and real socialism (Soviet aesthetics and criticism and the production of reality)]. Colloquia, pp. 57–92 [online] Available at: http://www.llti.lt/failai/Nr18_04_Dobrenko.pdf (access date: 22.06.2020). (In Russ.).
Dongak, U. A. (2010) Otrazhenie osobennostei perekhodnogo perioda ot fol'klora k literature v tvorchestve S. Saryg-oola [Reflections of the features of the transitional period from folklore to literature in the works of S. Saryg-ool]. In: O tvorcheskom nasledii S. A. Saryg-oola [On the creative heritage of S. A. Saryg-ool]. Proceedings of the conference dedicated to the 100th anniversary of the people's writer of Tuva S. A. Saryg-ool / ed. by K. A. Bicheldei. Kyzyl, OAO «Tyvapoligraf». 232 p. Pp. 54–58. (In Russ.).
Dongak, U. A. (2012a) Kollektivnoe avtorstvo kak odno iz proiavlenii perekhodnogo perioda ot fol'klora k literature [Collective authorship as one of the manifestations of the transition period from folklore to literature]. Vestnik Buriatskogo gosudarstvennogo universiteta, vol. 10, pp. 152–155. (In Russ.).
Dongak, U. A. (2012b) Osobennosti perekhodnogo perioda ot fol'klora k literature: ot mifopoetiki k individual'nomu avtorskomu tvorchestvu [Features of the transition period from folklore to literature: from mythopoetics to individual author's creativity]. Nauchnoe obozrenie Saiano-Altaia, no. 2(4), pp. 70–74. (In Russ.).
Dongak, U. A. (2012c) Pervye original'nye sochineniia tuvinskoi literatury 1920–1930-kh godov na staromongol'skom pis'mennom iazyke [The earliest original works of Tuvan literature in Old Mongol language, 1920-1930s]. Mongol khel, soelyn tulgamdsan asuudluud. II salbar. Ulaanbaatar: IAMSSecretariat. Pp. 310–312. (In Russ.).
Dongak, U. A. (2013) Osobennosti literaturnogo tvorchestva 1920-kh — nachala 1940-kh godov v Tuve: glava I [Features of literary creativity of the 1920s — early 1940s in Tuva: [Chapter I]]. In: Istoriia tuvinskoi literatury [A History of Tuvan Literature] (2013). Ed. by K. A. Bicheldey. Novosibirsk, Nauka. Vol. 1. 264 p. Pp. 109–126. (In Russ.).
Istoriia russkoi literatury XX veka (20–90-e gody). Osnovnye imena [History of Russian literature of the XX century (1920s-1990-s). Principal name] (1998) / ed. by S. I. Kormilova. Moscow, MGU im. M. V. Lomonosova. 480 p. (In Russ.).
Istoriia tuvinskoi literatury [A History of Tuvan Literature] (2013). Ed. by K. A. Bicheldey. Novosibirsk, Nauka. Vol. 1. 264 p. (In Russ.).
Kalzan, A. K. (1958) Tuvinskaia dramaturgiia perioda TNR: o p'esakh S. K. Toka «Tönggür-ool», «Zhenshchina», «Uzun-Kara i Semis-Kara» [Tuvan dramaturgy of the TPR period: On S.K. Toka’s plays “Tengur-ool”, “Woman”, “Uzun-Kara and Semis-Kara”]. Uchenye zapiski TNIIIaLI. Kyzyl, s. n. Vol. 6. Pp.115–136. (In Russ.).
Kalzan, A. K. (1961) O poslerevoliutsionnom fol'klore [On post-revolutionary folklore]. Uchenye zapiski. Vol. IX. Kyzyl, Tuvan book publisher. Pp. 253–259. (In Russ.).
Krementsov, L. P. (2016) Russkaia literatura v XX veke. Obreteniia i utraty [Russian literature in the twentieth century. Gains and losses] : textbook. 4nd ed. Moscow, Flinta. 224 p. (In Russ.).
Kuular, D. S. (1970) Tuvinskaia poeziia: ocherk istorii [Tuvan poetry: an essay on its history]. Kyzyl, Tuvan book publisher. 140 p. (In Russ.).
Litovskaia, M. A. (2008) Sotsialisticheskii realizm kak «obraztsovyi» tvorcheskii metod [Socialist realism as an “exemplary” creative method]. Filologicheskii klass, no. 1 (19), pp. 14–21. (In Russ.).
Maadyr, M. S. (2011) Knizhnaia kul'tura Tuvinskoi narodnoi respubliki: pozitivnye i negativnye tendentsii [Book culture of the Peoples’ Republic of Tuva: positive and negative tendencies]. The New Research of Tuva, n. 2–3 [online] Available at: https://nit.tuva.asia/nit/article/view/406 (access date: 12.05.2020).
Maadyr, M. S. and Sedip-ool, M. M. (2020) Newspaper collections at the National Archives of the Republic of Tuva. The New Research of Tuva, no. 2, pp. 87–102. (In Russ.). DOI: www.doi.org/10.25178/nit.2020.2.6
Mizhit, L. S. (2013) Formirovanie tuvinskoi poezii v period Tuvinskoi Narodnoi respubliki [The rise of Tuvan poetry under the Tuvan People's Republic]. In: Istoriia tuvinskoi literatury [A History of Tuvan Literature] (2013). Ed. by K. A. Bicheldey. Novosibirsk, Nauka. Vol. 1. 264 p. Pp. 151–184. (In Russ.).
Samdan, Z. B. (1987) Ot fol'klora k literature: na materiale tuvinskoi prozy 40–70-kh godov [From folklore to literature: the case of Tuvan prose of the 1940s-1970s]. Kyzyl, Tuvan book publisher. 80 p. (In Russ.).
Tamarchenko N. D., Tiupa V. I. and Broitman S. N. (2004) Teoriia literatury [Theory of literature]: textbook in 2 vols. / ed. by N. D. Tamarchenko. Moscow, Izdatel'skii tsentr «Akademiia». Vol. 1. Teoriia khudozhestvennogo diskursa. Teoreticheskaia poetika [Theory of literary discourse. Theoretical poetics]. 512 p. (In Russ.).
Tanova E. T. (1979) Periodicheskaia pechat' Tuvy (1921–1944 gg.) [Periodical press in Tuva, 1921–1944]. Kyzyl, Tuvan book publ. 112 p. (In Russ.).
Chudakova, M. O. (2002) «Voennoe» stikhotvorenie Simonova «Zhdi menia…» (iiul' 1941 g.) v literaturnom protsesse sovetskogo vremeni [Simonov's wartime poem Wait for me..." (July 1941) in the literary process of the Soviet time]. Novoe literaturnoe obozrenie (NLO), no. 6 [online] Available at: https://magazines.gorky.media/nlo/2002/6/voennoe-stihotvorenie-simonova-zhdi-menya-iyul-1941-g-v-literaturnom-proczesse-sovetskogo-vremeni.html (access date: 01.05.2020). (In Russ.).
Kenin-Lopsan, M. B. (1995) Barykaan Dongak. Ulug-Khem, no. 2, pp. 94–101. (In Tuv.)
Tyva literaturanyng töögüzününg ocherkteri [Essays on the history of Tuvan Soviet literature] (1975) / Kalzan A. K., Kuular D. S. and Khadakhane M. A. Kyzyl, Tuvan book publisher. 331 p. (In Tuv.)
Published
How to Cite
For citation:
Dongak U. A. Tuvinskaia literatura perioda Tuvinskoi Narodnoi Respubliki: rozhdenie poetiki khudozhestvennoi modal'nosti [Tuvan literature under the Tuvan People’s Republic: The birth of the poetics of artistic modality]. New Research of Tuva, 2020, no. 3, pp. 151–165. (In Russ.). DOI: www.doi.org/10.25178/nit.2020.3.11
Issue
Section
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Author(s) license holder(s) grant rights for their work to the journal (grantee of a license) under the simple non-exclusive open license in accordance with Art. 1286.1 «Open license for a research work, work of literature or fine arts», Civil Code of the Russian Federation.
New Research of Tuva publishes articles under the Creative Commons Attribution-NonCommercial license (CC BY-NC).
Since it is an open license, author(s) reserve the right to upload the article to their institutional repository, submit it to another journal (if it allows republications), or republish it on their own website (in full, or in part).
However, several conditions apply here:
a) The republished version must always contain the name(s) and affiliation(s) of the author(s), the original title and the hyperlink to the original version on the New Research of Tuva website;
b) It must be in open access, free of charge, and no category of readers must be in any way whatsoever advantaged over general readership.
c) should the contribution be submitted elsewhere by its author(s) without substantial modification (30% or more of original text unchanged), the body of the article should contain a disclaimer that the original version was published in New Research of Tuva (with a link to the respective page)
The CC-BY-NC is a non-revocable license which applies worldwide and lasts for the duration of the work’s copyright.