Shamanic Motifs in the Musical and Choreographic Art of Kazakhstan

Authors

DOI:

https://doi.org/10.25178/nit.2026.2.14

Keywords:

shamanism, baksy, cultural code, qobyz, musical and choreographic art, Kazakhstan, ethnocultural identity

Abstract

The study analyzes the ways in which elements of shamanic ritual are represented in contemporary musical and choreographic culture of Kazakhstan. The figure of the baksy (shaman), his musical and ritual practices, and the associated instruments (qobyz, shanqobyz, sazsyrnai, dabyldrum) are examined as structural components of an archaic cultural code that remains in demand in the modern artistic environment.

Based on an analysis of productions by several creative ensembles in Kazakhstan, the authors demonstrate that shamanic elements are recreated in contemporary forms using authentic instruments, ostinato rhythms, trance-like plastic patterns, and emblematic gestures.

Appeals to shamanic motifs perform three main functions: they ensure the preservation and adaptation of archaic components of the cultural code; they serve as a mechanism for artistic renewal and expansion of the expressive resources of the contemporary stage; and they contribute to the formation of ethnocultural identity and value continuity. The article concludes that shamanic heritage plays a systemic role in the development of contemporary musical and choreographic art in Kazakhstan.

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Published

01.06.2026

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Section

Turkic-Mongolian world

How to Cite

Жунусов С. К., Жумасеитова Г. Т., Акилова К. Б. Шаманские мотивы в музыкально-хореографическом искусстве Казахстана // Новые исследования Тувы. 2026. № 2. С. 212-233. DOI: https://doi.org/10.25178/nit.2026.2.14

For citation:
Zhunussov S. K., Jumasseitova G. T. and Akilova K. B. Shamanic Motifs in the Musical and Choreographic Art of Kazakhstan. New Research of Tuva, 2026, no. 2, pp. 212-233 (In Russ.). DOI: https://doi.org/10.25178/nit.2026.2.14

Author Biographies

  • Serik K. Zhunussov Kazakh National Academy of Choreography

    Doctoral Student, Faculty of Arts, Department of Art History and Art Management, Kazakh National Academy of Choreography.

    Postal address: 43/1 Uly Dala Ave., Astana, Kazakhstan, 010000.

    E-mail: zhunussov-serik@mail.ru

  • Gulnara T. Jumasseitova Kazakh National Academy of Choreography

    Candidate of Art History, Professor, Faculty of Arts, Department of Art History and Art Management, Kazakh National Academy of Choreography.

    Postal address: 43/1 Uly Dala Ave., Astana, Kazakhstan, 010000.

    E-mail: gulnara_ili@mail.ru

  • Kamola B. Akilova Kamoliddin Bekhzod National Institute of Painting and Design, Academy of Arts of Uzbekistan

     

    Doctor of Art Studies, Academician of the Academy of Arts of Uzbekistan, Professor, Department of Theory and History of Art, Kamoliddin Behzod National Institute of Painting and Design, Academy of Arts of Uzbekistan.

    Postal address: 35 Sadyk Azimov Str., Tashkent, Uzbekistan, 100000.

    E-mail: kamola-nur@rambler.ru

Supporting Agencies

The article was prepared as part of a grant from the Science Committee of the Ministry of Science and Higher Education of the Republic of Kazakhstan, IRN AP32727069 “Creation of a virtual museum of national dance through the introduction of digital technologies in choreography”.